A digital archive showcasing the extensive collection of jewellery and adornment images shared on the former Ethnic Jewels Ning site over the years. These images have significantly enriched discussions on cultural adornment and its global dispersion.
You need to be a member of Adorned Histories to add comments!
Request your copy of our newsletter.
If you would like to receive our newsletter
Comments
Here is a photo of the back of the torque. The two opposing snakes seen on the front of the piece can also be found here, standing proud of the surface. It is as if the bodies of the snakes themselves are integrated in the silver. The remaining surface if decorated with simple chevrons culminating in a square at the centre. To begin with I thought this was a magic square but on closer examination, I think it is simply decorative.
Wonderful!
That is a beauty. The central pendants are similar to some iranian ones with Farsi script.
Thanks Sarah. Yes, you are right. Both Farsi and Pashto are written in a modified Arabic script. I was hoping someone would help me identify the verse. But I understand it is quite difficult to read the calligraphy.
Thanks Hillary and Peter. The last owner bought this necklace from an Afghan refugee at a street market in Peshawar in 1983. The necklace must have been taken to Pakistan when the family fled from the Russian invasion of Afghanistan in about 1979. Many of those who fled were Pashtuns They were given aid by the Pakistani government and settled in camps just outside Peshawar.
What a fabulous and rich torque, Thelma. Congratulations - a worthy addition to your wonderful collection. I agree with Sarah about the central pendants. I have an Iranian koran box with very similar ones attached:
Thank you very much for the photo, Betty. The pendants on your piece are a delight and very like mine. Since Sarah's perceptive comment about the character of the pendants - and with your photo - I've begun to see the piece in a different light. I had previously speculated that it might have been originally owned by a woman from a wealthy Pashtun family living in a town. But now there is an extra dimension: the Persian influence. I suspect this might be seen not only in the choice of pendants but also in the unusual decoration of the torque itself - the pots in plants and gardens. How tantalising these pieces are. They tell a story to a certain point but the end is always out of reach!