A digital archive showcasing the extensive collection of jewellery and adornment images shared on the former Ethnic Jewels Ning site over the years. These images have significantly enriched discussions on cultural adornment and its global dispersion.

Moroccan Fibulae

This type of Moroccan fibula is much easier to date than most other Moroccan jewellery, as the technique for creating them is known to have died out no later than ca. 1900. Depending also on the nature of the workmanship, material, wear, and patina, one can date some of these pieces to a period well before 1900, and there is fairly widespread agreement that some may well be c. 1800 or earlier (these do not look earlier than well back into the 19th c, to me). From the Metropolitan Museum. The 'wormhole" technique, as it is called, consists of adding minute rings of silver individually to each other - definitely *not* from piercing.
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Comments

  • Just beautiful...these fibulae!
  • this worm hole fibulas type is quite common, and were available in a great  number on the moroccan market. you ca not miss them since they have this very peculiar design at the base of the pin, somehow like a trident!

     

    the rarest one have lateral triangles and blue enamel in addition the carnelian cabochons for the dearest ones

     

    What is most interesting as i noted in one earlier post, is that this technique was very widespread across southern morocco and deep into the sahara towards the algerian border with the only difference that the more saharan ones have never bore any enamel.

     

    Enamel was a special feature that was added after the jewish/muslim silversmiths, fleeing the spanish inquisition, have forayed deep into the anti atlas since they could not settle down on northern cramped cities.

    It is an accepted statement that enamel in north africa was brought at that time and we can conclude that the worm technique was native and local before that time in this region maybe as early as the first jewish migrants settled in the region coming from nowadays libyan coast (they were fleeing another inquisition , a roman empire one)

  • Ayis, while indeed these pieces are not rare, I think it is nevertheless entirely understandable that the Metropolitan Museum, like any good private collector, would value these fibulae. One of the best aspects is that they are of a good early date, while there is so much recent Moroccan stuff of inferior quality on the market. And this pair is beautifully made! I also like the more "country-made" ones because they are gutsy, but ultimately I prefer the finesse and perfection of pieces like these!
  • i am ok with you 100%.

     

    but i thought it was worthy to note that these type of worm holes fibulas  were heavily produced in early times (maybe mid to late 19th) and despite their apparent fragility they made it in great number to modern days, retaining a great shape for the most of them!!!

     

    it seems as if the berber posessing these were treasuring them and could not despair with them as was the case for older jewelry to be melted to make newly designed models!

  • Yes, you are quite right, Ayis: wormhole fibulae are not rare. They are nevertheless desirable to collect, I think, as the quantity of course remains limited, and the demand will increase. Even more importantly: they are very good!!
  • @very interesting, I am really fascinated to learn about this! I had not the slightest idea about this worm-hole techniques! Thanks for all the information!
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