A digital archive showcasing the extensive collection of jewellery and adornment images shared on the former Ethnic Jewels Ning site over the years. These images have significantly enriched discussions on cultural adornment and its global dispersion.

Rare Figuig bracelet

Ettah et Tiwiness- bracelet from Figuig
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Comments

  • The enameling colors seem to be of an early palette.. just strange application , never saw that before ?

  • Am I unusual in thinking that the silver alloy has a somewhat "hard" look about it? I.e. is "not top class" / "provincial"? It seems reasonably competent, however - part of a tradition that had existed for some time. By contrast the enamel looks as though the smith was hardly skilled at using it and applying something new to him, with little knowledge - but I feel that it was all done by one person. The oddities also those technical ones you mention, Hillary, seem to point at a specific area of production different from others. As some of the other pieces shown appear similar but not necessarily identical I would guess that they need not all be from the same workman, though probably much the same area.
  • Actually clearly more than one alloy was used, but I miss, in most of this, the "softness" I associate with high quality silver. And I wonder whether that points to an area with little wealth - a very rural one.
  • To me it looks like chain is of a mixed metal but the cuff needs polishing but seems to me to be of good silver. 

  • Yes Linda, the safety chain is a white metal, as is the pin, possibly replacements.

  • long and interesting discussion. for me it is still not yet clear. i still think that the enameling is added later and the form and some patterns have a western influence ( some missionary )

    figuig as origine is maybe out of subject

  • THE CHAIN AND PIN NEEDED TO BE STRONGER, SO IT WAS LOGICAL, PARTICULARLY FOR A VILLAGE PIECE, TO CHOOSE STRONGER ALLOYS. SORRY - WRITTEN FROM MY IPAD ...
  • to me the chain and the style of the pin look more contemporary then the rest of the cuff. and also the style is not in keeping with the style of the the workman ship to my eye.  It is plausible that it could be a decision based on strength but when ever I have had a rural silver bracelet from any place in good silver, I have never seen a pin or chain from poor silver on the same piece , so I'm not sure that is something I would agree with . 

  • regarding the chain and pin. i see that is normal that some piece souffre during all the years. it is impossibl to have a used piece since years without anythink broken or missing some small piece.usage traces make items authetic.

    it is actualy easy ho handle it. there is enough broken bracelets candidat for melting, just take the chain and pin from and exchange

  • Of course it is fully possible, I agree, that the pin, and particularly the chain, are later. I concede that the chain looks out of keeping stylistically - unnecessarily heavy. A good point, Linda. That chain is actually rather an eye sore, and the smith would probably have chosen something better!
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