A digital archive showcasing the extensive collection of jewellery and adornment images shared on the former Ethnic Jewels Ning site over the years. These images have significantly enriched discussions on cultural adornment and its global dispersion.

headdress inlaid with turquioise

Heavily encrusted headdress with inlaid turqoise and coral, filigree wire work having gilt over silver combined with silver for contrast. Uzbekistan probably Khiva area. late 19th or early 20th c
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Comments

  • Hey Linda, did I mention before that I would love to come and play dressing up in yout house!!!

    This is sublime x

  • Any time!  I have cloths too besides jewels!

     

  • Linda your piece is gorgeous - I have a necklaace from the same era.  Love it!
  • It is fun to wear at the right events!
  • Yes, this description seems right to me, in every detail.
  • These were sold to me (had other ones also  that went to collections) as breast plates. But I told the sellers who were Muslims, which woman would wear this? only prostitutes. They thought inside the house they would in front of husbands.  I can not think at all this would be a breast plate, doesn't sound plausible. So I believe it is basicaly like the headdresses I have sold that are same only in silver from Uzbekistan but used mostly by Turkoman tribes and called the Serajna.
  • WONDERFUL!
  • That does remain one of the most stunning pieces you have posted here, I feel.
  •  Hi I think there are other ones that are also very good but these things are quite personal. I'm in the midst of deciding to give it up or not. I so enjoy wearing it!
  • We have a Turkoman one which is certainly very old and good, and which we obtained fairly recently (2 or 3 years ago) from someone who had good things but did not know what this was (also thinking of breasts, of course). But the shape and its purpose is well documented in more than one reliable source (Rudolph and others), and it is a headdress and nothing else. However, this particular piece interests me not only because it is Uzbek, and as such is very different from the Turkoman version (in its details rather than overall shape), but also because it is such a GOOD Uzbek object. In my personal assessment (and as you say, these things are personal) Uzbeki pieces divide rather sharply between wonderful fairy-tale objects like this which are nevertheless restrained, and others which slide into excess, sentimentality, etc, in which case I intensely dislike them. I probably should not praise this so much as it will only encourage you to keep it! For which you could not possibly be blamed. But I do like it, every time I see it.
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