A digital archive showcasing the extensive collection of jewellery and adornment images shared on the former Ethnic Jewels Ning site over the years. These images have significantly enriched discussions on cultural adornment and its global dispersion.
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Hello Joost - thank you for all your comments. Both amulets are filled with what we shall, for explication purposed, call the "amber"; the condition of all the components in the pieces excellent with gentle wear over the loops and twists. if you're interested in any macro shots just let me know which section, and I'll post them. It's a purchase I made from a gut reaction to something quite beautiful: I went back day after day to drool over it. It made my heart pound!
I also agree with all you have said about the other, more crude and common Turkmen pendants that I listed, in effect as a comparison between beautiful work and crude work. I did buy these to use as components in my "wearable art" jewellery; inexpensive so that the finished product is affordable. The Uzbek piece above is definitely a collector's piece; but as I'm a business woman, all my pieces are ultimately for sale!
My excellent very good exciting news is that I have been offered a stint in an apartment in Venice for two months initially - and as long as I wish if I decide that way - to make "wearable art" jewellery out of Venetian millefiori beads and other 19c trade beads for the owner of a shop selling these beads as dealer strands. One of those chance meetings which I'm fairly light headed about at the moment! So I'm returning to Australia on the weekend to make arrangements and then return first week of September! Cool eh?