A digital archive showcasing the extensive collection of jewellery and adornment images shared on the former Ethnic Jewels Ning site over the years. These images have significantly enriched discussions on cultural adornment and its global dispersion.
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Another fantastic photo. Do you know if the necklace / kirdan / gerdanlik was originally created with the glass beads between the silver spacers, or if that was a later rearrangement?
Hello, Lynn. Answering your question: in the 1996-1998 period we (my partner and I) bought six or seven of these rural necklaces, in Bursa (from several 'eskici'/'second class' antique sellers), and another one in Istanbul (from an 'eskici' too), and all (!) of them had glass/turquoise/coral beads between the silver spacers. Therefore, I am quite sure that the arrangements are original (made in the villages). Furthermore: several of the strings were so old and worn-out, that we had to restring the necklaces in order to use them during our folk dance appearances. I don’t think that an ‘eskici’ would restring and rearrange such necklace with old/worn-out cotton cord; he would use new and strong material, since the greater part of his customers are tourists – Turkish and foreigner – in search of a typical souvenir (and not collectors that he would want to deceive).
My conclusion: these necklaces-with-beads are the poor-people-version of the much richer necklaces (originating from richer households) that can be seen in museums (one picture from the Izmir Ethnographic Museum added as reference).
Best greetings, Jean-Marie.
Thank you Jean-Marie for a most informative reply!! That is fantastic to know that they must be original because you were finding them with old and worn-out stringing.
Very interesting discussion.
I have a necklace (maybe just a fragment) which looks very similar to the one in your picture.
Here's a photo of mine - what do you think?
https://ethnicjewels.ning.com/photo/remains-of-another-day?