A digital archive showcasing the extensive collection of jewellery and adornment images shared on the former Ethnic Jewels Ning site over the years. These images have significantly enriched discussions on cultural adornment and its global dispersion.
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Comments
what a wonderful piece. the feligree work is big but still very beautiful
Very interesting that this is from Bukhara, was there Ottoman influence in the jewelry there as well?
What a wonderful piece, Peter.
It reminds me a lot of belts from the Caucasus region, especially Daghestan.
Since old trading routes connected the Caucasus and Central Asia, I imagine Ottoman influences were transported this way...
I agree with Betty, it looks quite Ottoman / Caucasus / Balkan influenced to me. It could be there were jewelers from the Ottoman world working in Bukhara (as one sees with some Saudi pieces from Yemeni jewelers working in Saudi Arabia), or it was made for customers with these tastes (as in the Ottoman-influenced pieces which appear in Yemen), or something else entirely.
The lacy decoration at the bottom of the belt is indeed very Caucasian/Ottoman from what I know (though I am of course no expert). I am attaching two images of belts I saw this summer in the Caucasus region(one in a Museum in Armenia, one at an antiques market in Georgia). Unfortunately, the pics are not great....
With kind regards. Peter
Peter, Betty, have a look at one of my anklets from Ethiopia with the horsebelt. I am placing a close up of the anklet. The work is so similar to these belts. Further in my case the underlay is red, and it is a thin folie layer.In your case pink. Do not forget that the Turks were also in Ethiopia( they brought in the Islamic religion). So it must be Otoman influence. Also the half fillegrain decors are still made in Ethiopia, as beads or as halfs, I will place photos. Gr. Ingrid
I have no difficulty believing that this is Bukharan. The love of pink occurs often there and elsewhere in Uzbekistan, and the somewhat "excessive" swirling is also culturally very typical, while that taste is combined with exquisite craftmanship at the same time. The pink is, I believe, foil, and I can remember having seen it in other instances. The use of turquoises is also characteristic. The exuberance and abundance so striking in the piece are evidence of the wealth in Bukhara at the end of the 19th and beginning of the 20th c, and I believe the belt probably dates back to that period. I find it a little overpowering myself, having been brought up in a northern European country, but overall I like it. My wife Truus would find this too excessive for her taste - I can see that without even asking. But to each his/her own, and she would not deny that it is impressive in concept and execution.
I have just learned from Peter that the pink is NOT foil, as I had thought, so it appears to be an interesting effect achieved directly on the silver which is responsible for the colour - most intriguing.